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Keep Punching

It seems like a long time since the enthusiasm of the famed Youngstown Golden Gloves was the talk of the area boxers and also the notoriety they received in the fight game for many years. I remember a lot of the fighters back then and just a few years back and they were the talk of the town, starting out as amateurs and gradually projected in top pro fighters from this area. There performances in the ring gathered audiences and rightly so, like me, many fans had idols especially if he was from your neighborhood.
Youngstown Gold Gloves
In the Youngstown Golden Gloves there were entities from Northeast Ohio, Western Pennsylvania fighting to do their best to fulfill their boyhood dream of becoming a Golden Glove Champion and going on to bigger heights in the fight game. Many never made it out of the tournaments. Today, the Steel Valley area an claim six world champions, five from the past and one now who is making big headlines. They are Ray "Boom Boom" Mancini, Harry Arroyo, Greg Richardson, and Jeff Lampkin. The other past champion was Jimmy Jones. Today, our hopes are pinned on the sensational Kelly Pavlik. For years, our area was a main ingredient for the Cleveland Golden Gloves, which started right after the Youngstown Golden Gloves and still to this day, many old-timers who fought in the C.P.D. Gloves, told me when the Youngstown group came up, they were all tough. There were some great fights between the two cities.
Thompson A.C.-Niles Police A.C.
Many boxing fans today still remember the Warren Novice tournaments in which Shirl "Jack" Thompson played a big part in and their tough boxers that entered. Thompson, deceased, who was in reality was my mentor along with Matt McGowan of the Niles Police A.C. had two of the best boxing stables in Ohio and both were ex-boxers and knew the fight game. McGowan started his Niles Police A.C. before Thompson, who went from Cental A.C. to Thompson A.C.
I saw a good deal of fights with the two trainers fighters and can remember some good fights. Without prejudice I will name a few and with respect to those I do not mention let you know what I thought.
I knew George "Sonny" Horne but never saw him fight as I was too young when Horne started fighting amateur. But later I followed his career and by the time I was eight years Old, Horne was big time and fighting in New York. Horne had a great amateur career and winning many amateur titles and in 1941 was ranked as the best amateur welterweight in the country. Unofficially his amateur record is 74-8 and in the pro ranks over 100 fights, winning seventy five percent. He fought the best, in both the amateur and professional ranks. Overlooked and also from the Nies Police A.C. was Chris Talor who I thought if it hadn't been for Horne, he could have been the leader of the Niles Police A.C. Tabor also won many amateur titles and had a respectful professional career. Horne and Tabor had some whiz-bank sparring bouts. Another big banger and very seldom gets mentioned is Mike "Blond Bomber" Birskovich. Birskovich was a devastating puncher and had a impressive professional record. There were many others and maybe in a later column I will mention more.
Jack Thompson
I admired Thompson  because he was a person who never bragged about his career and never lowered any of his fighters or any other fighters. He always had a good things to say about them. His stables had the likes of multi-talented LaLu Sabotin, Jimmy Sanders, Bobby Hughes, Moe Harvey, Joey Salcone and the underrated Tommy Brocken. Personally, although not confirmed yet, I think McGowan, Thompson and Youngstown's Carmen Chicklo could hold the local record for most Golden Glove Championships from this area.

The Fatted Calf

Over at Fortitude Holiness Tabernacle, Dexter Rice, the Sunday School teacher, was telling his class the story of the Prodigal Son. Wishing to emphasize the resentful attitude of the elder brother, he laid stress on this part of the parable.
After describing the rejoicing of the household over the return of the wayward son, Dexter spoke of one who, in the midst of the festivities, failed to share in the jubilant spirit of the occasion. "Can anybody in the class," he asked, "tell me who this was?"
Nine year old Olivia Crombie had been listening sympathetically to the story. She waved her hand in the air. "I know!" she said beamingly. "It was the fatted calf."

Live Via Satellite:  Visa Refusals Can Affect Performances by Foreign Entertainers

Q.: What kind of visa must an entertainer have to perform in the United States?
A.: Some foreign entertainers get a "green card," which allows them to live and work in the United States indefinitely, and eventually apply for U.S. citizenship.  Green cards are usually obtained either through marriage to a U.S. citizen or based upon the petition of a sponsoring employer.  Very famous, accomplished entertainers can also petition for lawful permanent residence on their own, but usually only if they have some earned high-level awards or are established, recognized stars.   Most entertainers who live outside the United States come to perform under a "visitor", "P entertainer," or "O outstanding performer" visa.
Q.: What is a visitor visa?
A.: Performers who come for short appearances not involving performing for pay (say, an awards banquet) might come as visitors.  They may have a visa sticker in their passport, good for several years, which lets them visit repeatedly as long as they do not abuse their status as visitors.  People from certain countries (e.g., the European Union countries, including Great Britain) are subject to the "VWPP" program and do not need a formal visa to visit the United States.  People from "VWPP" countries arrive, with passport, at the airport, complete a form on the plane, and are admitted to the U.S. as visitors for up to 90 days, although they may also be asked for proof of the purpose of their visit and proof of return transportation back home.  Canadians also do not need formal visas to visit the U.S.
Q.: What is a "P" visa?
A.: Many entertainers coming to the U.S. to perform for pay--especially groups like bands--come on P visas.  They are admitted for up to a year at a time, and must convince the consulate that they are "internationally recognized," defined as "a high level of achievement…evidenced by a degree of skill and recognition substantially above that ordinarily encountered, to the extent such achievement is renowned, leading or well-known in more than one country."  Solo performers also can get a P visa, but only if there is something culturally unique about their performance.
Q.: What is an "O" visa?
A.: Individual entertainers not associated with a group generally must qualify for an "O" visa to perform for pay by demonstrating that they are "outstanding" in their field of endeavor.  Someone with a major record deal and a fan base probably would qualify for an O visa, and can be admitted to the U.S. for up to three years at a time, depending on the purpose of the trip.
Q.: My favorite foreign entertainer had to cancel a U.S. performance because he was refused a visa.  Why did that happen? 
A.:
There are many reasons why someone seeking admission to the U.S. might be refused a temporary visa on "grounds of inadmissibility," and even someone who has already been issued a visa may be prevented from crossing the border for a variety of reasons.
One reason is a serious enough criminal record.  The types of criminal convictions that disqualify a person from entering the United States--even for a short amount of time or for a discrete purpose--are surprisingly broad.  They include any significant crime of moral turpitude; two or more petty crimes involving moral turpitude; and
any drug conviction (including foreign convictions)
  Even without an official criminal conviction or a judicial admission, a known drug abuser, or someone who is reasonably suspected of being a  drug trafficker, may be denied a visa.  If someone has been photographed taking illicit drugs recently or is reported to be in a rehabilitation program, border guards may act on this knowledge, even if the person has never been involved with the police.
Q.: I work with a foreign celebrity who has a drug record.  Can I bring him to the U.S. to perform anyway?
A.: There are two waivers that may be available to a non-resident celebrity with a disqualifying drug record.  A decision to provide a waiver must consider the relative risk to society, the seriousness of prior violations and the reason the celebrity wishes to enter the United States.  Such decisions are completely discretionary and are made on a case-by-case basis, and can be revoked at any time. 
First, if you can prove that drug conviction (or admission of drug use) involved simple possession of marijuana in an amount less than 30 grams, he may be able to get a waiver.  He does have to apply for it, however, and if he is a first-time applicant, the decision may take time.
Second, no matter how bad his past drug record is, he still may be able to get a waiver, although he will have to apply, and both the Department of State and the Department of Homeland Security will have to sign off on it.  It currently costs $545 to apply for a waiver.

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